Praised for her “clear melodic core” and a “sound that rejoices in the beauty of natural vowels” (Boston Music Intelligencer), soprano Kendra Comstock, is a Boston-based solo and ensemble singer. Kendra performs a wide variety of Classical and Contemporary repertoire, but is especially passionate about singing early music. Recent solo engagements include performances with Vermont Public Classical Radio, the Portland Bach Experience (ME), Pegasus Early Music and NYS Baroque Young Artist Series, Early Music Now (WI), the Cambridge Chamber Ensemble, the Boston Camerata,, the Society for Historically Informed Performance (SoHIP), Gotham Early Music Scene (GEMS, NYC), Salon Avec Moi (NYC), Saint James Early Music Series (PA), Off the Dock Chamber Music Festival (NY), Ripley Concert Series (MA), and performing with her own ensemble, the Pandora Consort. With the Pandora Consort, Kendra will perform at the 2026 Early Music America Summit on their Emerging Artists Series. Kendra is also an active ensemble singer, having recently performed with the Vermont Chamber Artists, the Nightingale Vocal Ensemble, Tutti Music Collective, and the Lilith Vocal Ensemble.

 

Originally from Hartland, Vermont, Kendra is passionate about sharing Classical music in rural communities, and frequently performs and shares Classical music throughout New England. has produced and performed a solo recital series of early music throughout New England. Kendra is the founder and Artistic Director of the Pandora Consort, an early music ensemble dedicated to reimagining Classical music performance by integrating multimedia, audience interaction, and programming historically under-represented repertoire to bring early music to new audiences. With the Pandora Consort, Kendra often programs and performs in unconventional spaces and leads workshops for audiences that have never experienced early music before. Kendra’s innovative early music programs have been noted by such media outlets as the New York Times and the Boston Globe. 

 

Kendra holds a MM in Historical Performance at the Longy School of Music of Bard College, where she studied with Pamela Dellal, and a bachelor's degree from Oklahoma City University.  In addition to performing, Kendra maintains a private voice and piano studio and teaches voice at the Cambridge Music Consortium.