Praised for her “clear melodic core” and a “sound that rejoices in the beauty of natural vowels” (Boston Music Intelligencer), soprano Kendra Comstock, is a Boston-based performer and teacher. Kendra performs a wide variety of Classical and Contemporary repertoire, but is especially passionate about singing early music. Recent engagements include performances with Vermont Chamber Artists, Pegasus Early Music, NYS Baroque, the Cambridge Chamber Ensemble, the Boston Camerata, the Concordia Consort, the Society for Historically Informed Performance (SoHIP), the Nightingale Vocal Ensemble, Tutti Music Collective, the Lilith Vocal Ensemble, the BEMF Fringe Series, and her own ensemble, the Pandora Consort. Kendra began her exploration into early music as a founding member of the Oklahoma City University Early Music Ensemble, directed by Kyle Patterson, from whom she also studied classical guitar. Kendra has performed at the Amherst, Madison, and Boston Early Music Festivals, as well as the International Baroque Institute at Longy. During these festivals, she studied with several Early Music specialists, including Pamela Dellal, Charles Weaver, and Paul O’Dette. Originally from Hartland, Vermont, Kendra is passionate about sharing Classical music in rural communities, and in 2018, Kendra produced and performed her first solo recital series of early music throughout New England, benefiting Hartland Community Arts. Following this recital, in 2021 Kendra was inspired to co-found the Pandora Consort, an early music ensemble dedicated to reimagining Classical music performance by integrating multimedia, audience interaction, and programming historically under-represented repertoire alongside contemporary repertoire.

​